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Shahrukh Khan has agreed to do a guest appearance in the Salman Khan and Kareena Kapoor starrer Mr and Mrs Khanna.

It is reported that that Shahrukh Khan has not charged for the role. Preity Zinta and Deepika Padukone may also be making guest appearances in the film.


Mr and Mrs Khanna is being jointly produced by UTV and Sohail Khan while the director is newcomer Prem Soni. The film is expected to be released in December 2008.
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Rank Film Weekly Nett Gross Total Nett Gross Verdict
1 Halla Bol 11,46,00,000 11,46,00,000 Flop
2 Taare Zameen Par 7,04,00,000 45,84,00,000 Super Hit
3 Welcome 4,65,00,000 70,91,00,000 Blockbuster
4 My Name Is AG 61,00,000 61,00,000 Disaster
5 Om Shanti Om 9,00,000 86,27,00,000 Blockbuster
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BEST ACTOR IN A SUPPORTING ROLE
Irrfaan Khan (The Namesake)

BEST ACTRESS IN A SUPPORTING ROLE
Tisca Chopra (Taare Zameen Par)

BEST ACTOR IN A NEGATIVE ROLE – MALE
Arjun Rampal (Om Shanti Om)

SUPERSTAR OF TOMMOROW - MALE
Ranbir Kapoor (Saawariya)

SUPERSTAR OF TOMMOROW - FEMALE
Sonam Kapoor (Saawariya)

HOTTEST FILM PRODUCER
Anil Kapoor (Gandhi My Father)

HOTTEST YOUNG FILM MAKER
Shimit Amin (Chak De India)

BREAKTHROUGH PERFORMANCE – MALE
Shreyas Talpade (Om Shanti Om)

BREAKTHROUGH PERFORMANCE – FEMALE
Kangana Ranaut (Life... In a Metro)

THE NEW MENACE
Shilpa Shukla – (Chak De India)

STANDOUT PERFORMANCE BY LYRICIST
Sandeep Nath – Saawariya ('Yoon Shabnami Pehle Nahi Thi Chandni')

NEW MUSICAL SENSATION – FEMALE
Anoushka Manchanda – Cash (Aye Chori)

NEW MUSICAL SENSATION – MALE
Krishna & Salim Merchant – Chak De India (Maula Mere)

STANDOUT PERFORMANCE BY A MUSIC DIRECTOR
Monty Sharma (Saawariya)
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Bollywood actress Madhuri Dixit, who won many hearts with her million-dollar-smile and returned to the silver screen with Aaja Nachle after a five-year hiatus last year, has been named among the Padma Shri awardees this year.

The ravishing actress has several hits to her credit, including Tezaab, Dil, Dil To Pagal Hain and Devdas.

Though her comeback film, after marriage to a US-based doctor and two kids, proved to be a dud at the box office, Madhuri remained unfazed. "I have never been a part of number game and we are not the racing horses who should be numbered. Either the work you do is good or bad. I have come back not because I miss the media archlights or being written about... it's secondary. I missed my craft!" she was quoted as saying.

Madhuri forayed into filmdom with Abodh in 1986 and was catapulted to fame with the hit dance number Ek Do Teen... in Tezaab (1988).

There was no looking back for Madhuri who went on to give a string of hits like Dayavan and Ram Lakhan. She bagged the Filmfare Best Actress Award for her performance in Dil, in which she starred opposite Aamir Khan. She once again walked away with the coveted award for her role in "Beta".

Madhuri's electrifying dance number Choli ke peechche... in Khalnayak proved a huge hit and her fan following simply soared.

She repeated the success story in Bollywood blockbuster Hum Aapke Hain Koun, where she shared screen space with Salman Khan and bagged yet another Filmfare. Her powerful performance in mega hit Dil To Pagal Hai won her a fourth best actress award.

The dancing diva also charmed renowned Indian painter MF Hussain, who cast her in his film Gaja Gamini.

In 2001, Madhuri was awarded the National Citizens Award, which recognises excellence in various activities affecting national life. The very next year she starred in Sanjay Leela Bhansali's mega-budget Devdas with Shah Rukh Khan and Aishwarya Rai. Not only did her acting earn rave reviews, she also bagged a Filmfare Award for best supporting actress.

It was after Devdas that she decided to take a break from Bollywood and devote more time to her family in the US.

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She's currently in the midst of rehearsing for the Max Stardust Awards scheduled for January 26.

"I'm not only performing at the show, I'm also anchoring it with Kunal Kohli," Neha Dhupia informs, adding with a smile, "And managing the dual responsibilities quite well."

Her new film Rama Rama Kya Hai Dramaa which released yesterday, strangely without any kind of promotion.

Sidestepping the question of differences with producer, Surendra Bhatia , she says, "I've been busy shooting for PNC's Raat Gayi Baat Gayi and perfecting my moves for the awards nite. My hectic schedule has left me with little time for anything else."

She's also juggling between Mumbai and Candolim, in Goa, where she has bought herself a holiday home. Dhupia who began her journey as a sex symbol with movies like Julie and Sheesha, has shrugged off the tag since.

Her forthcoming releases -Mithya, Maharathi and Raat Gayi Baat Gayi- are economically budgeted niche products and she's confident that a good film will always find an audience.

"Like Ek Chalis ki Last Local," she points out. "I was confident of it even though the trade was sceptical. It opened quietly but quickly picked up through word-of-mouth."

Bad is good
There's one big budget masala movie, Vipul Shah's Singh is Kinng that also toplines Akshay Kumar and Katrina Kaif.

"For the first time I'm playing a bad girl. The story revolves around a gang from Punjab settled in Australia. If the role is significant to the plot, screen time doesn't really matter at the end of the day," she asserts.

There's plenty happening on the professional life but on the personal front, the buzz is that she's split with her beau, squash champ Ritwick Bhattacharya . Simultaneously, there's also talk of an impending marriage.

"It's ridiculous, the media seems to be knowing more about my life than me," she laughs. "For the present, my focus is on my career."
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The hottest looking Gen-Next diva is back, quite literally! She is the firebrand Kareena Kapoor, in her elements gracing the glossy cover of the latest Filmfare, which only adds up to the flares!

Bollywood is about to witness something that was not even expected to happen. Kareena confesses that she has been paid a breath-taking 3.5 crores to do a film with Studio 18 and Priyadarshan!

If you thought that, that was hot enough, then, read this. The actress also goes on record questioning to what extent the media 'papparized' the story of hickey on her back when in reality, it was just a mosquito bite! She however, also talks about the new man in her life, Saif Ali Khan.

Lastly, one piece of advice to all ya' goodness-graciousness-starved fans out there, which is, whenever we wonder as to what it takes to be the IT person, just have a look at the 'all-new' Kareena and we bet that you will stop wondering!
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Behind every murder there is a method, motive and mystery. Leave out one and you won't really get anywhere. Put it all together and you know who did it. The theory of crime and guilt, however, is hardly explored in director Rohit Shetty's comic thriller, Sunday.

Instead, the suspense flick, inspired from Telugu's Anukokunda Oka Roj, goes about finding missing clues with the same vacuum and puzzlement as faced by its key player Sehar Thapar (Ayesha Takia.

Sehar is an absent-minded dubbing artist for animation films who, after a strong dose of rophynol, wakes up to find one Sunday gone missing from her life. Thereafter, she's addressed as 'bhoot' by a taxi driver-struggling actor (Arshad Warsi, Irrfan Khan) duo while a bunch of unkempt goonies make multiple attempts on her life.

While the obvious 'whos' and 'hows' pop in the viewers' head, cornetto-chomping bribe-philic cop Rajveer (Ajay Devgan and sidekick (Mukesh Tiwari ) make a dude-level entry into the picture, cashing a blonde-haired drug peddler through the roofs and terrace of Masjid Lane dwellings.

The implausible pieces and protagonists are somehow interlinked to each other courtesy two dead persons found in connection.

More whos, whats and hows lead to an utterly depressing and lame climax for which Shetty simply cannot be pardoned. I mean the entire movie is an exercise in building up a mind-boggling suspense. So how do you explain an incentive as lousy as what it eventually turns out.

Ayesha Takia and Ajay Devgan in SundayAnother flaw worth nitpicking over is the muddling of genres -- comedy (something Shetty is quite comfortable with) and thriller, which struggle to do a balancing act in the dijointed scheme of going-ons. One minute Arshad Warsi is Circuit turned cabbie shot in the butt. Another he's a miserable, bechara types lamenting over his kidney ailment and shortage of funds. Warsi plays the self-created stereotyped of a fast-talking, wise-cracking jolly street smart fella with expected fluency.

Then there's an underutilised but brilliant Irrfan Khan (doing a hilarious take off on Ravana, Dracula, SRK's Don and Himesh Reshammiya), Rajnikant-inspired Chuckie Chan (Vrajesh Hirjee) and Salaam-E-Ishq discovery Anjana Sukhani slipping into the heroine's best friend mode. While Irrfan Khan stands out simply because he is a fabulous actor, others are simply time-consuming props in this plot-less parade, high on homosexuality jokes and low on intrigue.

Speaking of time, even at a mere two hours running time, Sunday feels longer than it actually is. Perhaps the sluggish pace and run-of-the-mill songs have something to do with it. Two of the songs feature Tusshar Kapoor (for luck?) and Esha Deol (to pitch in some glamour in a diva avatar?) making a special appearance.

Ayesha Takia, of course, is the leading lady of the enterprise. Seeing as the whole story revolves around her lapse of memory, Ayesha lends her Sehar tons of vivacity and vulnerability. Longevity in terms of screen time aside, Sehar is rather one-dimensional in her emotional reflexes. Even so, full marks to the spontaneous youngster for making the most adorable toon voices. He's no Amitabh Bachchan, yet Ajay Devgan is suitably rakish and cheeky as a Shahenshah brand of police officer who often takes a joke on himself.

Ayesha Takia and Anjana Sukhani in SundayUnlike Khosla Ka Ghosla wherein Delhi's attitude and lifestyle is reflected in the film's language and characters, the Capital city plays a twin role here. On one level it is at the receiving end inciting remarks on Delhi police's efficiency (or lack of it), ever-growing crime rate and how it's getting increasingly unsafe for women, etc.

At the same time, cinematographer Aseem Bajaj pays a visual ode to the land of Qutub Minar and Red Fort with imaginative angles and ingenious lighting. Instead of a cliched sunset/rise shot against the backdrop of India Gate, you get to see the majestic Old Fort and Humayun's Tomb, intimidating Rashtrapati Bhavan, chaotic Chandni Chowk and grand Jama Masjid in a new light altogether. Even an ordinary chase sequence turns into a super sleek one thanks to Bajaj's ability to think outside the box.

Contrary to Shetty's hit comedy, Golmaal which was consistently funny, Sunday entertains as long as it tries to be funny but isn't sly enough to find a mention in the archive of whodunits.

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After the entire buzz that Shahrukh Khan created in the film Chak De, hockey in India didn’t seem to get a face lift. But SRK’s frequent appearances at various cricket matches; cheering on the Indian cricket team had everyone wondering why Shahrukh was a frequent visitor at these matches. Was it his passion for the game?

Shahrukh was often criticized stating that his appearance at matches was a good PR strategy being used by King Khan to promote his movies. But now the verdict is out.

Shahrukh has emerged as one of the successful bidders at the auction of city franchises of the Indian Premier League — the BCCI's mega-hyped Twenty20 competition which seeks to recreate the magic of soccer's English Premier League and basketball's NBA championship.

Bollywood superstar Shah Rukh Khan, along with actress Juhi Chawla and her husband Jai Mehta, is now the proud owner of the Kolkata team, with a bid of $75.09 million (about Rs 296 crore).

The leading lady in many SRK films, Preity Zinta — along with Ness Wadia, Karan Paul and Dabur's Mohit Burman — bagged Yuvraj Singh's Mohali team for $76 million (about Rs 300 crore).

Mukesh Ambani's Reliance Industries Limited was the highest bidder in all the cities; it opted for the Mumbai team at $111.9 million (about Rs 441 crore). Liquor baron Vijay Mallya's UB group — which already has a Formula One team, Force India — came a close second in its bid for Mumbai, at $111.6 million, and settled for Bangalore.

While actors like Mithun Chakrabothy own hotels and Sunil Shetty runs a spree of restaurants; looks like King Khan is looking forward to newer avenues of revenue.

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It so happened that during the shoot of Rakesh Omprakash Mehra’s ‘Dilli 6’ starring Abhishek Bachchan and Sonam Kapoor, the director was left in a fix when his Assisant Director had to fly back to his home in the US.

Mehra shared this with his friend Aamir Khan who at once volunteered to help.

But though Aamir was eager to fly down to Jaipur to support Mehra, he couldn’t take any time out as he himself was too busy with the shooting of his next film Ghajini.

But this wouldn’t stop Aamir from lending a helping hand to Mehra. Aamir suggested that his wife Kiran Rao (who has previously assisted Ashutoh Gowariker) would go to Jaipur.

It was a sweet sign from Aamir bearing in mind his relations with the Bachchan’s. When asked about Kiran as the AD to Mr. Rakesh Mehra he answered “She is a thorough professional and very sincere at work.”

So do we see Kiran Rao following the footsteps of her husband as a director? After all we know that with Aamir around making a film would be much simpler.
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Actor Saif Ali Khan, who occasionally strums guitars at rock concerts, wants to do his bit for Indian music by making a film about it.

Khan, who recently started a film production house, said he wants to experiment with a film about Indian singers and music - a genre largely ignored by Bollywood.

Hollywood has several films like Ray and Walk the Line that are based on the lives of real-life musicians. But the Indian film industry usually shies away from the topic, even though song-and-dance sequences are staple fare in Bollywood films.

"Our singers are very respected, so is our music," the 37-year-old actor said. "There are films that have been made …but how commercially successful those films were is questionable."

"It is a fascinating genre…we have not experimented much with it," Khan said. "I wish to make such a film."

The actor, who recently performed with the Parikrama rock band, said he started playing the guitar while still at school.

"Some of us even formed a band but we were really bad."


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