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DUMB seems to be getting dumber. Funny is beginning to feel unfunny. And Bollywood's current tryst with comedy isn't quite `Welcome' anymore.

Of course, the first Golmaal itself wasn't a high IQ exercise, with its tale of overgrown college students ending up in a blind couple's house. But there were some robust moments of sheer fun along with some crackling chemistry between the foursome: Ajay, Arshad, Sharman, Tusshar.

Here, talented Sharman Joshi has been replaced by also-talented Shreyas Talpade and Kareena Kapoor, basking in the success of Jab We Met , has been added to enhance the star value of the film. Ironically, the silicone shots don't seem work, as the film keeps sagging to unlimited depths, thanks to a no-brainer script and some really bad acting.

First the script. Ajay Devgan has an extended family which includes his couch potato wife, Kareena, his bimbette sister, Amrita Arora and his dumb brother-in-law, Tusshar Kapoor. Wife Kareena is an inveterate serial watcher and draws all her life's mantras from the Kyunki-Kahani soaps of Ekta Kapoor. Naturally, she suspects her husband when he spends a whole night on a yatch away from her. The husband, who had tried to save a desperate girl, ends up spinning an implausible yarn to save his skin.

The rest is one miserable rigmarole, where Tusshar and Shreyas try to infuse some madcap moments in the tedium, while the rest of the people just keep screaming and running.

It's quite sad to watch seasoned actors like Ajay Devgan and Arshad Warsi goof up in comic roles that they managed to carry off with elan in the earlier film. Shreyas, once again, displays his sense of comic timing, visible in Dor , while Tusshar proves that his dumb act in both the films might just end up as his career best.

The girlie brigade is completely unwatchable, especially Kareena who seems to be sleepwalking through the film. Again, sad, since she's such a fine actress and had managed to become the nation's fav girl after Jab We Met .

Ready for a third sequel? Not if it's as brain dead as the second.